Last edited by Akinohn
Saturday, July 25, 2020 | History

6 edition of Stage-wrights found in the catalog.

Stage-wrights

Shakespeare, Jonson, Middleton, and the making of theatrical value

by Paul Edward Yachnin

  • 352 Want to read
  • 21 Currently reading

Published by University of Pennsylvania Press in Philadelphia .
Written in English

    Places:
  • England
    • Subjects:
    • Shakespeare, William, 1564-1616 -- Technique.,
    • Middleton, Thomas, d. 1627 -- Technique.,
    • Jonson, Ben, 1573?-1637 -- Technique.,
    • English drama -- Early modern and Elizabethan, 1500-1600 -- History and criticism.,
    • Theater and society -- England -- History -- 16th century.,
    • Theater and society -- England -- History -- 17th century.,
    • English drama -- 17th century -- History and criticism.,
    • Authorship -- History -- 16th century.,
    • Authorship -- History -- 17th century.,
    • Canon (Literature)

    • Edition Notes

      Includes bibliographical references (p. [171]-204) and index.

      Other titlesStagewrights
      StatementPaul Yachnin.
      SeriesNew cultural studies
      Classifications
      LC ClassificationsPR658.S46 Y33 1997
      The Physical Object
      Paginationxviii, 210 p. ;
      Number of Pages210
      ID Numbers
      Open LibraryOL1013586M
      ISBN 100812233956
      LC Control Number96054900

      Among his publications are the books, Stage-Wrights and The Culture of Playgoing in Early Modern England (with Anthony Dawson), editions of Richard II and The Tempest; and six edited books, including Making Publics in Early Modern Europe and Forms of Association. His book-in-progress, “Making Publics in Shakespeare’s Playhouse,” is under.   Richard II: The Oxford , available at Book Depository with free delivery worldwide. We use cookies to give you the best possible experience. He is the founder of the McGill Institute for the Public Life of Arts and Ideas. His publications include Stage-Wrights and The Culture of Playgoing in Early Modern England (with /5(17K).

        Among his publications are the books, Stage-Wrights and The Culture of Playgoing in Early Modern England (with Anthony Dawson), editions of Richard II . With a noteworthy persistence, the coining of words was associated with the coining of money in this period. Jonson, in Timber, or Discoveries, calls custom ‘the most certaine Mistresse of Language, as the publicke stampe makes the current money’ (Ben Jonson, ed. C. H. Herford, Percy Simpson and Evelyn Simpson (Oxford, ), vol. viii, p. ).Cited by: 2.

      Book description Volume 1 of The Cambridge History of British Theatre begins in Roman Britain and ends with Charles II's restoration to the throne imminent. The four essays in Part I treat pre-Elizabethan theatre, the eight in Part II focus on the riches of the Elizabethan era, and the seven in Part III on theatrical developments during and. temporaries. Like Steggle and Haynes, Paul Yachnin, Stage-Wrights: Shakespeare, Jonson, Middleton, and the Making of Theatrical Value (), is primarily inter-ested in what drama written for the London stage reveals about the workings of the early modern theater, particularly with reference to playwrights’ contribu-Cited by: 1.


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Stage-wrights by Paul Edward Yachnin Download PDF EPUB FB2

Stage-Wrights Shakespeare, Jonson, Middleton, and the Making of Theatrical Value Paul Yachnin. pages | 5 1/2 x 8 1/2 Cloth | ISBN | $s | Outside the Americas £ Ebook editions are available from selected online vendors A volume in the series New Cultural Studies "This book has a powerfully persuasive effect, which results from.

Book Description: To many of their contemporaries, William Shakespeare, Ben Jonson, and Thomas Middleton were little more than artisanal craftsmen, "stage-wrights" who wrote plays for money, to be performed in common playhouses and in a manner often antithetical to what Jonson himself viewed as the higher calling of poetry.

That Stage-Wrights is more than an elaboration of this essay stands as testament to Yachnin's continuing interest in a variety of critical issues. That this book deals skillfully, often brilliantly, with the three major playwrights of the era shows a critical intelligence worthy of special attention.

To many of their contemporaries, William Shakespeare, Ben Jonson, and Thomas Middleton were little more than artisanal craftsmen, "stage-wrights" who wrote plays for money, to be performed in common playhouses and in a manner often antithetical to what Jonson himself viewed as the higher calling of by: Get this from a library.

Stage-wrights: Shakespeare, Jonson, Middleton, and the making of theatrical value. [Paul Edward Yachnin] -- To many of their contemporaries, William Shakespeare, Ben Jonson, and Thomas Middleton were little more than artisanal craftsmen, "stage-wrights" who wrote plays for money, to be performed in common.

Stage-Wrights Paul Yachnin Published by University of Pennsylvania Press Yachnin, Paul. Stage-Wrights: Shakespeare, Jonson, Middleton, and the Making of Theatrical Value.

This is the first book to examine the rise of Spain's extraordinary national theatre in the sixteenth and seventeenth centuries in all its aspects - the commercial theatre, the court drama and the Corpus autos, the organisation of theatrical life, the playhouses themselves and their public, the literary and moral controversies, and the plays as literary texts.3/5(1).

Perceived by the public as little more than artisans or artisans--hence the designation "stage-wrights"--dramatists, including Shakespeare, were circumscribed by censorship and affected by the need to achieve commercial success.

Bounded by such pressures, they redefined the. Yachnin, Paul Stage-Wrights Shakespeare, Jonson, Middleton, and the Making of Theatrical Value. Part of a larger project to examine the Elizabethan politics of representation, Louis Montrose's The Purpose of Playing refigures the social and cultural context within which Elizabethan drama was created.

Montrose first locates the public and professional theater within the ideological and material framework of Elizabethan culture. He considers the role of the professional theater. Book Reviews: Allemands, Juifs et Tchèques à Prague Actes du colloque international de Montpellier, décembre Bibliothèque d'Études Germaniques et.

Among his publications are the books Stage-Wrights and The Culture of Playgoing in Early Modern England (with Anthony Dawson) and edited books such as Making Publics in Early Modern Europe and Forms of Association.

His book-in-progress, “Making Publics in Shakespeare’s Playhouse,” is under contract with Edinburgh : Paul Yachnin. Stage-Wrights: Shakespeare, Jonson, Middleton, and the Making of Theatrical Value By Paul Yachnin University of Pennsylvania Press, Read preview Overview Counterfeiting Shakespeare: Evidence, Authorship, and John Ford's Funerall Elegye By Brian Vickers Cambridge University Press, Paul Yachnin.

Paul Yachnin is Tomlinson Professor of Shakespeare Studies at McGill University. He is director of the Early Modern Conversions project. Among his publications are the books Stage-Wrights and The Culture of Playgoing in Early Modern England (with Anthony Dawson) and edited books such as Making Publics in Early Modern Europe and Forms of Association.

The stagers, and the stage-wrights too (your peers) Of stuffing your large ears With rage of comic socks, Wrought upon twenty blocks; Which, if they’re torn, and foul, and patched enough, The gamesters share your guilt, and you their stuff.

Ode to Himself [“. Read this book on Questia. MUCH current appreciation of Shakespeare's plays treats them, both in bulk and in quality, as the only really significant part of the Elizabethan implication, at least, Shakespeare is held isolated by this relative insignificance of his contemporaries, the completeness of his original equipment, and the swiftness with which, in the years between.

Stage-Wrights: Shakespeare, Jonson, Middleton, and the Making of Theatrical Value. Jonson's Magic Houses: Essays in Interpretation. Shakespeare and Carnival: After Bakhtin. Breaking Boundaries: Politics and Play in the Drama of Shakespeare and his Contemporaries.

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No enrollment or registration. From The Book of the Courtier. Jardine, Lisa. "The Duchess of Malfi: A Case study in the Literary Representation of Women." Whigham, Frank. From Ambition and Privilege. Extracts from Renaissance Courtesy Manuals.

The Broken Heart: Ford, John. The Broken Heart. Sawday, Jonathan. From The Body Emblazoned. Other secondary readings to be. In Stage-Wrights Yachnin shows how Shakespeare, Jonson, and Middleton struggled to reclaim not only the importance of their art, but their own social Author: Dian Fox.Theatrical unrest: Ten riots in the history of the stage, Book January “stage-wrights” who wrote plays for money, to be performed in common playhouses and Author: S.

Mcevoy.Kavadi/Southworth, Spoken Marathi, Book 1 (eb ) Yachnin, Stage-Wrights: Shakespeare, Jonson, Middleton, and the Making of Theatrical Value (hceb ) Koh, Stages of Industrial Development in Asia: A Comparative History of the Cotton Industry in Japan, India, China, and Korea (eb ).